Bart & Jenna talk to budding film scholar and popular Letterboxd user, Zoë Rogan, about Bells Are Ringing. Also how to get younger generations into classic cinema even when it doesn’t have the charm of Dean Martin and Judy Holliday.
Read MoreBart & Jenna talk about Ukranian cinema from Dovzhenko Studio and its search for a national cinema in the 1960s.
Read MoreBart & Jenna discuss Andrew Sarris’ career and his unique voice in the world of film criticism before they get lost in a tangle of wildly differing opinions on The Man Who Shot Liberty Valance.
Read MoreBart & Jenna play Kiss, Marry, Kill with the year 1968 – including in depth discussions on the pitfalls of 60s masculinity, the triumphs of 60s feminism, and getting super high in front of your parents. Or, well, Peter Sellers’ parents.
Read MoreBart & Jenna dive headfirst into a world of myth, magic, legend and a whole lot of jousting with an episode dedicated to Arthurian legend – from Camelot to Disney to Harryhausen rip-offs.
Read MoreBart & Jenna challenge themselves to sit down to watch over five hours of silent experimental film from the most influential experimental filmmaker of his century: Stan Brakhage.
Read MoreGuest Gabriele Caroti talks to Bart & Jenna about Bronco Bullfrog, a gritty but delightful piece of British kitchen sink realism, set against the backdrop of the working class teens in East London.
Read MoreBart & Jenna take a dutch-angled romp through a series of nihilistic, anti-Bond spy films and find there’s plenty of drama to be found in a more realistic portrayal of spy work.
Read MoreBart & Jenna brave the unknown and journey to the land of Mexican Horror films to peek through their fingers at vampires, werewolves, ghosts and murderers – all of whom speak Spanish!
Read MoreBart & Jenna play Kiss Marry Kill with the year 1967 and stumble upon an intriguing pattern. Including discussion on Peppermint Frappe, Herostratus, PlayTime, The Sorcerers, How I Won The War and I’ll Never Forget What's'isname.
Read MoreIn this episode, Bart and Jenna trace Joanne Woodward's 1960s films alongside that of her more famous husband and decide that hers are the ones they really wanted to talk about.
Read MoreBart & Jenna open their minds and hearts and experiment with a global variety of films that explore the highs and lows of sapphic love.
Read MoreBart & Jenna explore the Czechoslovak New Wave through the darkly funny films of Miloš Forman, Ivan Passer, Jaroslav Papoušek and Václav Šašek.
Read MoreBart & Jenna dive into the magical 1960s films of Aleksandr Rou – a mystical, technicolor world of amazing costumes, practical effects and live bears… aka Soviet fairy tales.
Read MoreBart & Jenna watch every Man From U.N.C.L.E. movie from the 1960s then discuss the television show's bootleg Bond origins and the subsequent U.N.C.L.E. mania that followed.
Read MoreBart & Jenna play Kiss Marry Kill with the year 1966. Including discussion on How To Steal A Million, The Round-Up, Death of a Bureaucrat, Once Before I Die, The Swinger and Trans-Europ-Express.
Read MoreBart and Jenna dust off a 1962 article by Stanley Kauffmann on Truffaut’s Jules and Jim to use as a sounding board for how and why ‘60s filmgoers showed up for and reacted so favorably to challenging “art” films.
Read MoreNancy Kwan had two major hits right in the beginning of the decade, and then what? Bart & Jenna investigate the bizarre twists and turns of Kwan’s ‘60s career and the pitfalls of being a Chinese actor in the dominantly white world of Hollywood.
Read MoreBart & Jenna dive into the work of Haskell Wexler – one of the true auteur cinematographers who got his start in the 1960s. Featuring a heated debate on Who’s Afraid of Virginia Woolf?, as iconic in wit as it is in visual flare, and Medium Cool – a hybrid film that incorporates almost every trick he learned from the decade.
Read MoreGuest Ann Kibbie, English Literature professor at Bowdoin College, joins Cinema60 to discuss Jack Lemmon and Lee Remick's Days of Wine and Roses – a film she classifies as being firmly in the horror genre.
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